ARTECHOUSE has explored a variety themes and concepts through digital art since it opened in Southwest DC just over four years ago. The gallery known for its fusion of art and technology has presented exhibitions inspired by seasons, space, natural phenomenon, color, and more themes that are part of our human experience, though outside of our actual beings.
The newest exhibition, Life of a Neuron, takes us on the inside as it features the “thinking cells” of the brain.
As ARETCHOUSE describes it: “Life of a Neuron brings artists and scientists together for a groundbreaking collaboration to explore how the brain shapes the shared human experience. Through collaboration with the Society for Neuroscience and the world’s leading scientists and creatives, this immersive exhibit will allow us to experience a neuron—from pre-birth to death—providing an experiential view of life at a cellular level.”
Like all exhibitions there, the core installation is the digital projections in the main gallery. Trippy, captivating scenes swirl around the walls and floors while dramatic music plays in the background. It’s interesting to see what kinds of images and color combinations are coming next. (Note: While some past exhibits at ARTEHOUSE have been soothing and peaceful, this one isn’t so much, something to be aware of for kids who are sensitive to a lot of stimulation.)
The side galleries feature smaller installations with interactive elements. They looked intriguing, though to be honest, it was difficult to get a close look at all of them during the media preview, as we were trying to maintain space. (Timed-entry tickets during the exhibit’s run should keep that from being an issue.)
The bar is back open — Thursday – Monday, 11am – 10pm — with its menu of exhibit-inspired cocktails, plus beer, wine, and non-alcoholic drinks. Sasha and I enjoyed refreshing sodas, and I recommend the Rosemary Cardamom! Be sure to download the ARTECHOUSE the app for the “extended reality” experience that transforms drinks into sparkling sensations!
Life of a Neuron
Where: ARTECHOUSE | 1238 Maryland Ave. SW
When: September 27 – November 28
Admission: $24/adult, $17/age 4-15, free/under 4
Walking into Spirit of Autumn, the latest digital exhibit from ARTECHOUSE, is kind of like entering a seasonal dreamworld. From floor-to-ceiling imagery projected onto the walls to audio of birds singing to opportunities to “play” in leaves, the large-scale installation captures quintessential fall with an enchanting multi-sensory experience for all ages.
Just like the gallery’s debut summer exhibition XYZT: Abstract Landsapes, this one encourages interaction with the help of technology. Visitors can manipulate images with their movements and trigger some elements with sound.
In the main room, leaves will gather and blow in the wind as you walk (or dance!) alongside beautiful autumn scenes. Sound sensors will make kids and adults feel like they have super powers by making it rain, thunder, and lightening with the clap of the hands. In two smaller rooms, you can walk through leaves projected onto the floor and make ethereal swirl of lights appear with each new step.
Your art can be part of the exhibit, too. A back room is set up with tables and supplies to color your own leaf, which will be added to the mix of foliage blowing around the walls in the big gallery. I recommend going there first, so you can enjoy seeing your leaf among the rest as you take in the scenes.
Mine is the spiral 🙂
It’s beautiful and engaging, as well as a unique way to celebrate the season and enjoy innovative art all at once. Kids and adults alike will be dazzled.
Here’s a video peek to go along with the photos:
Spirit of Autumn is running at ARTECHOUSE through November 5. Daytime hours for all ages are 10am – 4pm daily, and admission is $8/child, $12/adult. Evening hours for ages 21+ are 6-10pm, and admission is $20. Book your tickets in advance, as they’re likely to sell out ahead of time.
There is so much hype surrounding Yayoi Kusama: Infinity Mirrors at the Hirshhorn. And the big question: “Does the exhibit live up to it?” The answer — my answer, anyway — is that depends on how you look at it. I know… not so helpful, but read on for some insight.
You know how sometimes you want to love something, and you think that under the right circumstances you would be utterly dazzled and blown away, but those circumstances are just completely unattainable? That’s pretty much how I feel about this exhibit.
The art itself is absolutely stellar. The whole experience of going to see it, not quite so much. That’s because it was difficult to really experience and enjoy the art, at least in those “right circumstances” I would have preferred. And I don’t think it’s unreasonable for me to feel that way, because this art is so enchanting. You want to immerse in it and hang out for awhile, but there isn’t opportunity to do that.
* * * * *
So, let me back up and offer a bit more information about Infinity Mirrors. The main features of the exhibition are five installations — small rooms transformed into boundless wonderlands with Kusama’s brilliant, imaginative sculptures and mirror-lined walls that make the spaces feel like they go on for, well, infinity.
It’s so incredible to see you want to stand (and sit and even lie down) there forever and relish in it from every angle. But that feeling ends abruptly when your 30 seconds to see it — which go by so fast — are up, the door opens, and you have to exit.
Part of what makes that short span of time fly by so fast is the comparison to the wait in line to go in, which was up to about 25 minutes when I visited. Also, you might share some of the spaces with others, making it a little awkward to move around and stand in different spots to absorb it all. I was able to go in two installations on my own, but I’ve heard they are not allowing individual sessions anymore to help the lines move faster.
There is art on display besides the Infinity Mirror Rooms. Colorful paintings and sculptures, plus small infinity rooms that you peer into through little windows are beautiful and fun to view. At the end is the Obliteration Room, a completely white space — the walls, floor, furniture, decor, everything — where you can stick colorful dots wherever you want. The people watching is an interesting part of the experience, too. Quite a few visitors dress for the exhibits in dots (a common pattern in Kusama’s work), bold colors, and outfits that will convey well on Instagram.
And that brings up a whole other aspect of this show. Its Instagram-iness seems to be a big part of its appeal, and it looked like many people were there more for a perfect selfie than to enjoy the art itself. On one hand, I think it’s fantastic that people are engaging with the art, and it’s being celebrated and shared. On the other hand, when there are long lines and limited time to enjoy it, I kind of wish that wasn’t adding to the crowds.
Is it worth it to take the kids?
This is what you’re probably now wondering, and here are my thoughts: This is art that definitely will delight kids, even young children. However, there is a good chance lines and wait times will be long. (See this Washington Post article about wait times this past weekend.) You know best what your kids can handle, how patiently they can wait, and how much you think they’ll get out of being there. A couple of things about viewing the art to keep in mind, too: 1) Space is limited in the rooms, and it could be hard keeping little hands off the art 2) Young kiddos might not be happy about having to exit the rooms before they are ready. (I’m an old kiddo and I wasn’t happy!)
If you do bring the kids…
– Let children know beforehand that there will be waiting and limited time inside the rooms to manage expectations.
– Bring along something to keep them occupied while you wait in lines.
– Try to go with another adult and take turns waiting in line and walking around with your children (this means lucking out and getting multiple tickets, or you can buy the membership – see below).
– Strollers are not permitted in the exhibit, though there is stroller parking outside.
– Have a back-up plan in case you get to the museum and determine the lines are too long for your kids (and you) to wait — you have your pick of other museums on the Mall.
Other general tips & info
– Free Timed Passes are available every Monday at 12pm for the following week. They sell out quickly, so be ready to reserve yours online as soon as it turns noon.
– If you have timed passes, all guests with you need them, even infants.
– A limited number of free same-day Walk-Up Timed Passes will be available at the Museum, with a line starting at 9:30am, and the passes distributed first-come, first-served at 10am. You can get real-time updates on availability on Twitter.
– You can purchase a special Kusama Circle Membership for $50, which lets you and a guest bypass the general admission line one time. Children under 18 are not considered guests and get in free with you.
– Other membership options are available at higher rates.
– Get tickets for a weekday if you can.
– Try to put your camera away as much as possible. You may spend so much time trying to get the perfect shot that you miss out on enjoying the art. Really, that 30 seconds flies!
Yayoi Kusama: Infinity Mirrors will be on view at the Hirshhorn through May 14. Museum hours are 10am – 5:30pm, and word has it they are staying open until 7:30pm to accommodate guests with later passes.
In case you haven’t yet heard, admission to the Corcoran Gallery of Art is now free. This comes as part of the museum’s merger with George Washington University and the National Gallery of Art. The bottom line is that it’s great news for those of us who are used to browsing the wonderful collections and exhibits housed in our city’s many museums free of charge.
I took advantage of the new no-fee entry when I found myself with some free time last week while Owen and Sasha were in school. (It was my first visit there in several years, which I’m almost embarrassed to admit!) Usually, I blog about our experiences visiting places together, but I figured if I got enough out of it to know I will go back with my kids very soon, then it was worth posting about, too.
The museum isn’t huge, and it’s quite easy to navigate. Collections include American Art to 1945, European Art, Decorative Art, and Modern and Contemporary collections, where I spent most of my time. There is currently a fantastic exhibit called American Metal: The Art Of Albert Paley (on display through September 28) that I bet would enthrall children just as much as adults. A main part of the exhibit includes models of magnificent metal sculptures Paley created for the St. Louis Zoo and Cleveland Botanical Garden. The intricate designs of animals in various habitats is amazing to view both from afar and up close.
Paley also created the colorful sculpture that you see when you enter National Harbor. Smaller models of that large-scale piece are also featured in the exhibit and are interesting to view if you’ve seen the final work.
There’s plenty more art to see on the museum’s two levels, and the uncrowded, space would make it easy to roam through with children. It’s not large enough to make a visit a full day’s outing, but you can pair it with plan to see the monuments or a walk by the White House. After all, now that it’s free, there’s no pressure to stretch the time to make it worth it.
The Corcoran Gallery of Art is located at 500 17th Street NW. There is a cafe in the lobby, Muse at the Corcoran, with a small menu of wraps and snack. Gallery hours are Wednesday – Sunday, 10am – 5pm. Admission, as noted, is free.